Ben Grant - Performer

Ben is thrilled to continue his longstanding association with Lemony S Puppet Theatre. A NIDA graduate, Ben has performed for many independent production companies as well as Melbourne Theatre Company, Bell Shakespeare Company and Radio National. Ben has always been interested in new Australian stories, creating four solo shows and performing in world premieres including Nick Enright’s St James Infirmary Blues in 1990, Jane Bodie’s Four Play in 2000, The UFO Show by Uncle Semolina (and Friends) in 2005, and The Life and Deaths of Don Koyote (The Old Van) and Hannie Rayson’s The Glass Soldier (Melbourne Theatre Company) in 2007.  In 2011 Ben won a Green Room Award (Best Male Performance in Independent Theatre 2011) for his performance as Alfie in Angus Cerini’s Save For Crying at La Mama and for the last three years has been collaborating with world-renowned Quebecois director Robert Lepage as an actor/author in Playing Cards 2: Hearts.

Tamara Rewse - Performer

Tamara Rewse has worked as a director, designer, devisor, maker, singer and performer in puppet and visual theatre since 1997, touring internationally and nationally. Her work includes: Human Layer, (2005 Melbourne Fringe Festival Most Visionary Award), the award winning Men of Steel (Voted 2007 Top 7 shows for Children-Time Out UK & 2006 Melb Comedy Festival Directors Award), COOP for Black Hole Theatre, Mr Freezy for Arena Theatre Company and Polyglot Theatres City of Riddles, Tangled Web and We Built This City, Skite Vikingr’s Tamagotchi Tam and Morbid Porn which won 2008 Short and Sweet FULL TILT Development Award and Runner-up Best Female Performer. Tamara spent 3 years periodically working in puppet theatres in Europe and in early 2009 undertook a residency at GlogauAIR in Berlin developing a new work called Tuckerbag which was exhibited at the Kunstraum Bethanian. Her skills include making props and puppets for film, television and theatre. Film and Television Credits include: The Chronicles of Narnia – Voyage of the Dawn Treader (2009), Mad Max 4 (2010), Eye of the Storm (2010) and Elephant Princess (2009). Her work in theatre making puppets and props include: Windmill Theatre’s GRUG (2010, Winner Best Show IPAY 2011), Escape from Peligro Island (2011) School Dance (2012) and Pinocchio (2012), Polyglot Theatre's City of Riddles and various prop and set making for Arena Theatre Company.

Rachel Burke - Lighting Design

Rachel has worked nationally and internationally with Australia’s leading arts companies for more than twenty five years. Her awards include six Green Room Awards for Excellence in Theatre Lighting Design, the 2005 & 2010 IES Victorian and National Awards of Excellence for Lighting Design and Helpmann Award nominations in 2005 (Black Medea-Malthouse/Belvoir) and 2015 (Marlin-MTC/Arena). Selected Theatre Design-Melbourne Theatre Company: Buyer and Cellar, Cock, Solomon and Marion, True Minds, Constellations, True West The Australian Ballet: Art to Sky, Cinderella, Swan Lake –Stephen Baynes, Dark Lullaby, Ballet Imperial, Unspoken Dialogues, Molto Vivace Malthouse Theatre: Walking into the Bigness, Black Medea (with Belvoir), Cargo, Woman Bomb, Parramatta Girls (with Belvoir), Moth (with Arena Theatre Company) Playbox: Wolf, Glass Mermaid, Good Works, The Incorruptible, Night Fall, Rapture. Rachel most recently designed sold out seasons of Shit!- Dee & Cornelius and Taxithi at 45 Downstairs and Splendour for Red Stitch.

Jonathon Oxlade - Design

Jonathon studied Illustration and Sculpture at the Queensland College of Art. He has worked as Set and Costume Designer with companies including Windmill Theatre, Aphids, Sandpit, Bell Shakespeare Company, Sydney Theatre Company, Polyglot, Queensland Theatre Company, Melbourne Theatre Company, LaBoite Theatre Company, State Theatre of South Australia, Vitalstatistix, Arena Theatre Company, Kid Praha, Terrapin Puppet Theatre, Men of Steel, Polytoxic, The Border Project, Circa, The Real TV Project, Is This Yours? and The Escapists. He is currently the Resident Designer and Visual Artist for Windmill Theatre, and the Production Designer for the Windmill film Girl Asleep.

Yvette Turnball - Design

Yvette is a graduate of the Bachelor of Production, majoring in Design at the Victorian College of the Arts. Some of Yvette's more recent credits include; Designer for SEX & DEATH by Samara Hersch for the Festival of Live Art 2016 at Arts House. Art Direction for The Inauguaral Annual Dance Affair (Reservoir) by True North Arts and Darebin Arts. Set & Costume Designer for The Theory of Everything by Thomas Quirk for THEATRE REPUBLIC at Brisbane Festival 2015. Set & Costume Designer for KINDNESS, by Bridget Mackey, co-directed by Alice Darling and Kate Shearman. Co-Designer for VIRGINS AND COWBOYS, by Morgan Rose Aldrich and directed by Dave Sleswick (Motherboard Productions) - both presented as part FLIGHT FESTIVAL at Theatreworks 2015. Set & Costume Designer for Reasons to Stay Inside by Katy Warner, directed by Prue Clark for Melbourne Fringe Festival 2015. Site Design for DANCE MASSIVE at Artshouse 2015. Designer and Co-Host of THE EVERYDAY IMAGINARIUM, created by Tristan Meecham (All The Queens Men) for Going Nowhere Festival at Arts House. Design Associate to Jonathon Oxlade for GAMESHOW, by Aphids and Tristan Meecham for FOLA 2014. For more on Yvette Turnbull, check out www.yvetteturnbull.com

Jethro Woodward - Sound Design

Jethro is a Melbourne-based composer, musician and sound designer recognised for his expansive and highly layered film, theatre and dance scores. A multi Green Room Award winner and nominee, he has worked with some of Australia’s leading major and independent companies including MTC, Malthouse Theatre, Belvoir Company B, Arena, Windmill, MSO, Rawcus, Stuck Pigs Squealing, Fragment 31, Lucy Guerin, Australian Dance Theatre, KAGE and more. Jethro won Green Room Awards for Moth (Malthouse/ Arena), Goodbye Vaudeville Charlie Mudd (Malthouse/ Arena), Irony Is Not Enough (Fragment 31) and Captives of the City (Lemony S Puppet Theatre/Chamber Made Opera) . He was the Musical Director and Sound Designer for the six times Helpmann nominated musical Wizard of Oz (Windmill).

Ben T.D - Sound Designer

Ben TD is a musician and sound artist working in film, theatre, movement, and installation works. His introduction to composition and sound design was with Scottish theatre company, Frozen Charlotte’s production, Paperbelle, which was nominated for an Edinburgh Fringe Total Theatre Award, was a three year running, sold out, ‘Pick of the Fringe’ and continues to tour internationally. Having returned to Melbourne, he is excited to reconnect with the Australian arts community. He is also the singer and primary songwriter for the band Open Swimmer who’s acclaimed debut album, Canyon, was released in 2015.

Samantha Butterworth - Producer

 

Samantha is an Arts Manager/Producer based in Melbourne. She is currently working as Tour Coordinator with Regional Arts Victoria, with whom she has previously been engaged to produce both 2014 & 2015 Showcase Victoria events in conjunction with the Victorian Association of Performing Arts Centres.

In 2015, she delivered the inaugural Poppy Seed Festival as Producer and spent the first six months of 2016 laying the groundwork for that year, including the expansion of the Artistic Panel and a new collaboration with Coopers Malthouse. Previously, Samantha has been the Operations Manager for Red Stitch Actors Theatre; served as Administrator for Rollercoaster Theatre Company; and has sat in many roles as a Freelance Producer. Samantha is herself trained in performance and film & television production, having appeared in various theatrical feats.

She is the Producer of award winning theatre collective, Elbow Room, where she recently negotiated the transfer of their smash hit production We Get It (MTC Neon Festival 2015) to the Brisbane Powerhouse. Samantha also acts as Treasurer with Watch This’ Committee of Management and as Secretary for the Elbow Room Board. 

Rainbow Sweeny - Production/tour Manager

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Rainbow works across all areas of live performance and events. Equally experienced in both Design and Management Rainbow has worked with the smallest and the largest of arts organisations. Collaborators include Polyglot Theatre (ongoing), Lemony S, Ridiculusmus, Triage Live Art Collective, St Martins Youth Arts, Chamber Made Opera, The Centenary of Anzac, the City of Moreland, Ciry of Yarra, ArtPlay, Melbourne Festival, Melbourne Music Week, ACMI, Regional Arts Victoria, Multicultural Arts Victoria, and White Night Melbourne. 

Recent works include Hotel Obscura for Triage and FOLA, Give Me Your Love for Ridiculusmus, The Blood! Death!! Show! with JOF and the kids of City of Yarra, In A Deep Dark Forest with The Inhabitors, Fly By Night for Arts Centre Melbourne, Great Forest Walk for Knox Festival, Evelyn Krape’s More Female Parts Arts Centre Melbourne,  16 Girls a performance art project with the St Martins teen ensemble for Castlemaine Festival, Boats and Separation Street two new participatory performance works for Polyglot Theatre and Museum of Imagined Touch and The Carers Project both with Jodee Mundy Collaborations.

Past collaboration with Lemony S include the Green Room award-winning Captives of the City in partnership with Chamber Made Opera. A senior Creative Manager with the Creature Technology for six years Rainbow contributed to the design and realization of the international touring productions Walking With Dinosaurs- The

Margaret Cameron - Dramaturg

Margaret was a Melbourne based performance artist, director and writer with experience in a wide variety of performance contexts, both nationally and internationally. 

Her artistic path was affirmed through a vital network of contemporary artists. As Resident Director at Chamber Made Opera Melbourne (2010-12) she co-created The Minotaur Trilogy, Melbourne Festival 2012 with Artistic Director and composer David Young, with whom she has had a ten-year creative association. Numerous projects include A Quarreling Pair based on Jane Bowles’ puppet play, with sellout seasons for the Melbourne International Arts Festival and the Malthouse Theatre and a subsequent International premier at LaMama New York, 2009 and Festival dei Mondi, Teatro Patologica, Rome 2010, and Care Instructions, a poetic reverie written by Cynthia Troup created and premiered in 2008 with subsequent performance at Transit Festival Denmark 2009. She engaged in enduring collaborations with influential US choreographer Deborah Hay (USA), and with Australian new media artist Hellen Sky in The Light Room, Melbourne Museum, Melbourne International Arts Festival 2002 and The Darker Edge of Night 2008, Arts House, Melbourne, My Darling Patricia at Performance Space and Arts House in 2009. She participated as dramaturg on many projects. 

Margaret’s solo practice had enduring history. Her first work ‘Things Calypso wanted to Say!’ (1987), premiered at La Mama Melbourne and continued in performance for over ten years. Her groundbreaking work ‘Knowledge and Melancholy’ was first performed at La Mama in 1998 and was produced by Performing Lines, Magdalena Australia, Magdalena USA, Rhode Island, The Articulate Practitioner, Wales, Malthouse Theatre and it is still in repertoire. This was followed by Bang! A critical fiction (2001) at La Mama and Beckett Theatre, The Minds a Marvelous Thing, La Mama Theatre (2002) and the proscenium Malthouse Theatre (2005), PICA (2008) and subsequently performed in Wales (2005), Denmark, Rhode Island USA and in Spanish in Piezas Connectadas Festival, Barcelona (2007).

Margaret received the prestigious Australia Council for the Arts Theatre Fellowship in 2004, was short-listed for The Kit Denton Fellowship for Writers of Excellence in 2007 and The Louis Esson Prize for Drama for Knowledge and Melancholy, Victorian Premiers Literary Awards 1998. She received a Greenroom Award for Best Ensemble 2001, Playbox Theatre and for Knowledge and Melancholy in 1999 and she was recipient of The Ewa Czajor Memorial Award for Female Directors in 1998 , The Gloria Payten and Gloria Dawn Travelling Fellowship in 1997 and the Ross E Trust Script Development Award 2013.

On Monday 20 October 2014, Margaret Cameron died at her home on the Bellarine Peninsula, aged 59. She was a great artist, incredible collaborator and a very, very dear friend and we miss her terribly.

Click here to read Sarah Kriegler's biography.

Click here to read Jacob Williams' biography.